
By this time, many aspects of my magazine are to be fully completed - this is the stage I am at, too. With there having been countless times when things have gone wrong in terms of product quality, it is quite remarkable to think how far I believe I have come. To begin, it seemed almost impossible to create an entire magazine product in the space of just a month. There were certain aspects of my magazine product that were difficult to adjust, such as the images - at times, the positioning was inadequate for creating a high quality magazine and, sometimes, the image was too pixelated. All of which proved to be a learning curve, however. During the half-term, I came into college four days of the week to complete my final DPS and make adjustments on my contents page. I did this because I know it would be incredibly beneficial to the speed of production and it would render this final week as a spill-over week where I could allow myself the time to make final adjustments that could either make or break my product. It was very important to me to use this final week of production to work on the aspects of my magazine that needed more work doing to them. According to this plan, I have been very successful and had managed to complete my 3rd DPS, ready for editing this week, which was also successful.
On Monday, I started on editing my 2nd DPS, simply making finishing touches such as positioning correctly and inserting a quote insert, while thinking of a kicker I could place below my masthead. Then, on Tuesday and Wednesday, I edited my contents page as I was aware that the page was bare and hardly looked professional or authentic. Thus, I believe that my contents page is, by far, the least successful page. On Thursday, I fixed fonts (changing the plain, default fonts to custom fonts from Dafont) on my front cover and prepared the page for inserting into my InDesign file, as I created my front cover on Photoshop. Everything did run to plan, however, the machine I use had a serious disk error which meant that both InDesign and Photoshop needed to close immediately which put a stop to my production. In addition to this, the Mac had another malfunction that hindered my progress because during one of the sessions, I was not able to log on for approximately 40 minutes of the session, at which point I was forced to use another machine. Even that did not prove helpful because my fonts are not stored on that machine. To reinstall and use the fonts I would need to restart that machine which would bring me to the end of the session. This was exasperating and meant I got
very little done during that session. However, I did have to make up for this inconvenience by making many changes in the next session. In Photoshop, during half-term, I edited the image for my 3rd DPS to look old and rugged. In order to do this, I adjusted the HDR settings on the image. This created a old, gritty effect. After doing this, I increased the shadows in the darker areas of the model where the light did not reach. This allowed my next step to stand out. I next increased the exposure of light on the head and the hands of the model to make this sections glow. The reason for doing this is because my article states that "the power is in the hand, not just the head". I then took this quotation and placed it as an accompaniment of the image. In doing this, I have developed the skill to appropriately use the HDR editing tool to create a gritty and rugged effect. I also learnt how to position and crop images to fit certain areas of my magazine without them becoming pixelated, which was often a problem for me that was becoming very irritating.
Some of the images I took were unqualified for usage. The model was too far to the side in some of the images, and even of the wrong side which would make it unsuitable for my DPS. however, this is not my model's fault, but my own for taking the images in that way. Facial expressions and positioning of the model were both fine, but in these instances (sometimes), I unfortunately got the end of the backdrop in the image. The perfect image for me was when my model was performing very well and the image did not capture the sides of the backdrop. I then cropped these images to fit my DPS. The eyeline conveys no particular meaning, but the the facial expressions of the model (cocky, yet inquisitive) suggests that a new sort of power can be attained by selecting a new pen.
I think my client would be impressed by the effort I have invested in this project recently, especially since I came in to edit during my holiday time. However, they may also feel that I have neglected my contents page slightly which could disappoint them. My project at this stage does reflect my treatment in terms of positioning of the masthead (even though I have adjusted it slightly, making it more dynamic). In addition to this, rather than having my article spill across both pages, I limited it to one page (left) and put the table underneath. I did also keep my image on the right of the DPS. The colour has changed ever so slightly, much like my other DPSs - I have kept the purple (which has connotations of luxury) but I have changed the gold colour to teal on account of being unable to find a glossy, golden colour; I could only ever find a murky yellow. Finally, the worry I have about my project is that my contents page will be a disappointment. I did have magazines by me while creating this, but I believe that creating my contents page was my weakest production point.
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| The image used for my DPS. |
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| Image where the positioning of the model of not good. |
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| Image where light is visible in the shot. |
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| DPS 3 (fonts are missing). |