Wednesday, 8 January 2014

Photoshoot Plan - Josh Woodcock 2

Photo shoot planning document


Date and time of photo shoot: TBC


Material to be shot: This is my fourth and final DPS, and this DPS is less positive that my previous DPS, though isn’t even remotely harrowing like some other of my photoshoots. What I am trying to do here is to emphasise to the audience how having the perfect pen could benefit their writing because a more professional pen could mean a writer derives so much pleasure from using an elegant pen that they find they are writing at an increasingly large amount. I will be taking an image of my model using a stressed/confused facial expression, while holding a pen – most probably a biro.


What personnel do you need?

Lighting assistant: Mark Dixon
Makeup assistant:
Models: Josh Woodcock


What props will you need?

- Pen


Describe in detail your make-up & costume needs. (Include reference material to illustrate your needs)
With this DPS, I am continuing the smart look that has been used on my models at various other parts of my magazine to ensure I keep a good level of consistency throughout. Thus, my model will be wearing a short-sleeved shirt that looks casual, though confusingly fashionable.


Studio shoots: what kind of lighting?
(include reference material to illustrate your needs)
For my final photoshoot, I will use broad lighting that illuminates the face completely. This is because I don’t create too much of a negative feel about the DPS, and so by illuminating my model’s face completely, I will decrease any tones of negativity.


Backdrop: The backdrop for this DPS will be yellow and I will then darken the image to give the gold colour effect. This is because my colour palette for this DPS is gold and purple and has connotations of luxuriousness.


Lighting equipment needs:
My lighting equipment needs are small. I simply need a light and a reflector, much like my narrow lighting shoot (because they are very similar). To create the broad lighting effect, however, the reflector will be facing the model’s face slightly more than what the reflector would with the narrow lighting.






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